Jenny Pope’s current work is a collection of objects exploring psychological change. She combines old objects, with layers of meaning and past uses, as a metaphor for the layers of past experiences and influences that have shaped us as people. The tools have both a handheld part, a connection with the body, and a business end; to cut, measure, form, gather, press, pull, comb or scrape. People are inherently ‘doers’ and these tools are an attempt to do something when actually the process of change sometimes requires more of a ‘being with’.
Jenny Pope is a visual artist producing a range of work from small delicate objects to large-scale sculptural pieces. She is intrigued
by the physicality of materials, making processes and the meaning of objects.
At the core of her working practice is experimentation with the limits and possibilities of materials such as porcelain, found objects, felt, ink and paper. She uses the analogy of weathering of objects to suggest the uncertainty and changes we all face as human beings.
Her explorations suggest links between archaeology, taxonomy and psychology as she examines the intuitive/primitive use of found objects as contemporary worry beads or contemplative talismans.